Sonological analysis of Clarinet expressivity
Identifieur interne :
000261 ( PascalFrancis/Corpus );
précédent :
000260;
suivant :
000262
Sonological analysis of Clarinet expressivity
Auteurs : S. Canazza ;
G. De Poli ;
S. Rinaldin ;
A. VidolinSource :
-
Lecture notes in computer science [ 0302-9743 ] ; 1997.
RBID : Pascal:98-0010289
Descripteurs français
English descriptors
Abstract
Seven different performances of fragment of W. A. Mozart's Concert for Clarinet (K622) were recorded. Each performance was inspired giving the player a sensorial type adjective in order to suggest various kinds of expressive intentions. Certain particularly significant sonological parameters were then measured. These were linked to the time factor (correlated to variations in the amplitude and duration) and frequency (variations in the timbre). The principle aim was to identify which physical parameters, and how many of them, were subject to modifications when the expressive intention of the performer was varied. The sonological analysis shows how a performer changes the physical parameters of frequency and time in function of expressive performance of a score. The evaluation of a synthesized performance, based of the values of the parameters measured, confirms the validity of the procedure.
Notice en format standard (ISO 2709)
Pour connaître la documentation sur le format Inist Standard.
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| A08 | 01 | 1 | ENG | @1 Sonological analysis of Clarinet expressivity |
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| A09 | 01 | 1 | ENG | @1 Music, Gestalt, and computing : studies in cognitive and systematic musicology : Brugge, 8-11 September 1996, selected papers |
|---|
| A11 | 01 | 1 | | @1 CANAZZA (S.) |
|---|
| A11 | 02 | 1 | | @1 DE POLI (G.) |
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| A11 | 03 | 1 | | @1 RINALDIN (S.) |
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| A11 | 04 | 1 | | @1 VIDOLIN (A.) |
|---|
| A12 | 01 | 1 | | @1 LEMAN (Marc) @9 ed. |
|---|
| A14 | 01 | | | @1 CSC-DEI, University of Padova, Via Gradenigo 6a @2 35131 Padova @3 ITA @Z 1 aut. @Z 2 aut. @Z 3 aut. @Z 4 aut. |
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| A20 | | | | @1 431-440 |
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| A21 | | | | @1 1997 |
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| A23 | 01 | | | @0 ENG |
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| A43 | 01 | | | @1 INIST @2 16343 @5 354000068080350280 |
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| A44 | | | | @0 0000 @1 © 1997 INIST-CNRS. All rights reserved. |
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| A45 | | | | @0 15 ref. |
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| A47 | 01 | 1 | | @0 98-0010289 |
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| A60 | | | | @1 P @2 C |
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| A61 | | | | @0 A |
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| A64 | | 1 | | @0 Lecture notes in computer science |
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| A66 | 01 | | | @0 DEU |
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| A66 | 02 | | | @0 USA |
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| C01 | 01 | | ENG | @0 Seven different performances of fragment of W. A. Mozart's Concert for Clarinet (K622) were recorded. Each performance was inspired giving the player a sensorial type adjective in order to suggest various kinds of expressive intentions. Certain particularly significant sonological parameters were then measured. These were linked to the time factor (correlated to variations in the amplitude and duration) and frequency (variations in the timbre). The principle aim was to identify which physical parameters, and how many of them, were subject to modifications when the expressive intention of the performer was varied. The sonological analysis shows how a performer changes the physical parameters of frequency and time in function of expressive performance of a score. The evaluation of a synthesized performance, based of the values of the parameters measured, confirms the validity of the procedure. |
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| C02 | 01 | X | | @0 001D02C04 |
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| C03 | 01 | X | SPA | @0 Simulación computadora @5 01 |
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| C03 | 02 | X | FRE | @0 Système conversationnel @5 02 |
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| C03 | 02 | X | ENG | @0 Interactive system @5 02 |
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| C03 | 02 | X | SPA | @0 Sistema conversacional @5 02 |
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| C03 | 03 | X | FRE | @0 Acoustique musicale @5 03 |
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| C03 | 03 | X | ENG | @0 Musical acoustics @5 03 |
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| C03 | 03 | X | SPA | @0 Acústica musical @5 03 |
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| C03 | 04 | X | FRE | @0 Analyse son @5 04 |
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| C03 | 04 | X | ENG | @0 Sound analysis @5 04 |
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| C03 | 04 | X | SPA | @0 Análisis sonido @5 04 |
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| C03 | 05 | X | FRE | @0 Reconnaissance son @5 05 |
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| C03 | 05 | X | ENG | @0 Sound recognition @5 05 |
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| C03 | 06 | X | FRE | @0 Musicologie @4 INC @5 82 |
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| C03 | 07 | X | FRE | @0 Clarinette @4 INC @5 84 |
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| N21 | | | | @1 364 |
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|
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| pR |
| A30 | 01 | 1 | ENG | @1 Joint international conference on cognitive and systematic musicology : JIC96 @3 Brugge BEL @4 1996-09-08 |
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Format Inist (serveur)
| NO : | PASCAL 98-0010289 INIST |
|---|
| ET : | Sonological analysis of Clarinet expressivity |
|---|
| AU : | CANAZZA (S.); DE POLI (G.); RINALDIN (S.); VIDOLIN (A.); LEMAN (Marc) |
|---|
| AF : | CSC-DEI, University of Padova, Via Gradenigo 6a/35131 Padova/Italie (1 aut., 2 aut., 3 aut., 4 aut.) |
|---|
| DT : | Publication en série; Congrès; Niveau analytique |
|---|
| SO : | Lecture notes in computer science; ISSN 0302-9743; Allemagne; Da. 1997; Vol. 1317; Pp. 431-440; Bibl. 15 ref. |
|---|
| LA : | Anglais |
|---|
| EA : | Seven different performances of fragment of W. A. Mozart's Concert for Clarinet (K622) were recorded. Each performance was inspired giving the player a sensorial type adjective in order to suggest various kinds of expressive intentions. Certain particularly significant sonological parameters were then measured. These were linked to the time factor (correlated to variations in the amplitude and duration) and frequency (variations in the timbre). The principle aim was to identify which physical parameters, and how many of them, were subject to modifications when the expressive intention of the performer was varied. The sonological analysis shows how a performer changes the physical parameters of frequency and time in function of expressive performance of a score. The evaluation of a synthesized performance, based of the values of the parameters measured, confirms the validity of the procedure. |
|---|
| CC : | 001D02C04 |
|---|
| FD : | Simulation ordinateur; Système conversationnel; Acoustique musicale; Analyse son; Reconnaissance son; Musicologie; Clarinette |
|---|
| ED : | Computer simulation; Interactive system; Musical acoustics; Sound analysis; Sound recognition |
|---|
| GD : | Elektronenrechnersimulation |
|---|
| SD : | Simulación computadora; Sistema conversacional; Acústica musical; Análisis sonido; Reconocimiento sonido |
|---|
| LO : | INIST-16343.354000068080350280 |
|---|
| ID : | 98-0010289 |
|---|
Links to Exploration step
Pascal:98-0010289
Le document en format XML
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</keywords><front><div type="abstract" xml:lang="en">Seven different performances of fragment of W. A. Mozart's Concert for Clarinet (K622) were recorded. Each performance was inspired giving the player a sensorial type adjective in order to suggest various kinds of expressive intentions. Certain particularly significant sonological parameters were then measured. These were linked to the time factor (correlated to variations in the amplitude and duration) and frequency (variations in the timbre). The principle aim was to identify which physical parameters, and how many of them, were subject to modifications when the expressive intention of the performer was varied. The sonological analysis shows how a performer changes the physical parameters of frequency and time in function of expressive performance of a score. The evaluation of a synthesized performance, based of the values of the parameters measured, confirms the validity of the procedure.</div>
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<ET>Sonological analysis of Clarinet expressivity</ET>
<AU>CANAZZA (S.); DE POLI (G.); RINALDIN (S.); VIDOLIN (A.); LEMAN (Marc)</AU>
<AF>CSC-DEI, University of Padova, Via Gradenigo 6a/35131 Padova/Italie (1 aut., 2 aut., 3 aut., 4 aut.)</AF>
<DT>Publication en série; Congrès; Niveau analytique</DT>
<SO>Lecture notes in computer science; ISSN 0302-9743; Allemagne; Da. 1997; Vol. 1317; Pp. 431-440; Bibl. 15 ref.</SO>
<LA>Anglais</LA>
<EA>Seven different performances of fragment of W. A. Mozart's Concert for Clarinet (K622) were recorded. Each performance was inspired giving the player a sensorial type adjective in order to suggest various kinds of expressive intentions. Certain particularly significant sonological parameters were then measured. These were linked to the time factor (correlated to variations in the amplitude and duration) and frequency (variations in the timbre). The principle aim was to identify which physical parameters, and how many of them, were subject to modifications when the expressive intention of the performer was varied. The sonological analysis shows how a performer changes the physical parameters of frequency and time in function of expressive performance of a score. The evaluation of a synthesized performance, based of the values of the parameters measured, confirms the validity of the procedure.</EA>
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